MONOGRAPHS

Homeland, Trolley Books,  2008,   196 pages,  90 color photographs   10x5.7.5 inches
Purple Hearts,  Trolley Books, 2004, 96 pages,  40 color photographs,  8x8 inches 




BOOKS, CATALOGUES

In/Visible War,  Jon Simons and John Louis Lucaites, ed,  Rutgers University Press,  2017
Re-imagining A Safe Space, Deborah Willis and Melissa Harris, Nathing Cummings Foundation/NYU Tisch, 2016
Unloaded,Susanne Slavick, Pittsburgh Cultural Trust,  2015
1% Privilege in a Time of Global Inequality, Myles Little, Hatje Cantz, 2015
European Photography Earth Effect, Silvana Editoriale,  Italy, 2015
Blue Sky at 40,  The Oregon Center for Photographic Arts at 40, Julia Dolan, Portland Art Museum, 2014
Trolleyology, Gigi Giannuzzi/Hannah Watson, Trolley, London, 2013
Photojournalists on War: The Untold Stories from Iraq, Mike Kamber, University of Texas, 2013
War/Photography:Images of Armed Conflict and its Aftermath, Anne Wilkes Tucker, Museum of Fine Arts, Houston, 2012
Home.front, Deborah Jack curator,  New Jersey City University, 2012
Marcellus Shale Documentary Project, Laura Domencic, Pittsburgh, 2012
Bosnia 1992 – 1995, Jon Jones, Gary Knight, Sarajevo, 2012
Making History, RAY Fotografieprojekte, Frankfurt, 2012
Photographs Not Taken, Will Steacy, Daylight Books, 2012
Disquieting Images
, Germano Celant /Melissa Harris, Skira, Milan, 2011
Whitney Biennial 2010, Whitney Museum of American Art, New York, 2010
US Today After, Gilles Verneret, Silvana Editoriale, Milan, 2010
A History of Women Photographers,Naomi Rosenblum, Abbeville Press Publishers, New York, 2010
The Pursuit of Happiness, Stitching Fotografie, Noorderlicht, 2009
War Stories,Massachusetts College of Art, Boston, 2008
Humans Being: Disability in Contemporary Art, Chicago Cultural Center, and Chicago, 2006
Crimes of War, Roy Gutman, David Rieff, Norton, USA, 1999


ACADEMIC JOURNALS AND CITATIONS

Humanity,  "Object Lessons," Vol 7 Number 3, University of Pennsylvnania, Winter, 2016
Public Culture “Fracking Communities”, Colin Jerolmack and Nina Berman, Duke University Press, May, 2106
Photography and Culture, “Faces of Our War, ” Sharon Sliwinski, Vol 8- Issue 2, Taylor and Francis, July 2015
Afterimages: Photography and U.S. Foreign Policy,  LIam Kennedy, University of Chicago Press,  2016
Innocence and Loss: Representations of War and National Identity in the United States,
      Ed. Cristina Alsina Risquez, Cynthia Stretch, Cambridge Scholars Publishing, UK, 2014
Ugliness: The non-beautiful in Art and Theory, Ed. Andrei Pop and Mechtild Widrich, I.B. Tauris, London, 2014
PTSD:Diagnosis and Identity in Post-empire America, Jerry Lembke, Lexington Books, 2013
War, Culture and the Contest of Images, Dora Apel, Rutgers University Press, 2012
Pictoral Cultures and Political Iconographies: Approaches, Perspectives, Case Studies from Europe and America,
Udo J. Hebel, De Gruyter, Germany, 2011
After Photography, Fred Ritchin, W.W. Norton, 2010
War, Image and Legitimacy: Viewing Contemporary Conflict, James Gow and Milena Michalski, Routledge, NY, 2007
Speculations: Readings in Culture, Identity and Values, Charles I. Schuster, William Van Pelt, Prentice Hall, 1996
© 2017 Nina Berman via Visura